Rockpile never got round to make more than one album under the band name, but I reckon I have more than albums of good music in my collection, made by one or more members of the group. Nick Lowe heads the pack in numbers, Dave Edmunds takes second place, but this Billy Bremner album (one of two I own) just may be the best of them all. His later catalogue, much of it recorded in Sweden with Swedish musicians, may sound a bit tired to my ears - but not so this gem.
I like the sheer power and rolling ease of the band, the production that sounds natural for 1984 - a little Rockpile, perhaps a touch of Squeeze, and I like the songs. Some of them may be rather average, but most have a clear hit potential. Most of all I like his voice - its warm yet powerful, at best it kind of soars above the music like a bird, without losing any of its grit and earthiness. Ah, I can't find the right words for what makes it so good - you have to dig out the album and listen for yourselves.
Among the musical highlights I especially want to mention the Elvis Costello-penned matrimonial drama "Shatterproof", the amusing Drifters-wordplay pastiche "Tired And Emotional (And Probably Drunk)", the nostalgically wistful "The Boat That's Sunk A Thousand Ships" and "Losing My Touch" - especially the latter one is a great showcase for that voice. And it has to be said, that most of the songs sound like they were written just for him - those long vowels that he can wrap himself around to great effect - but on the other hand, the style and soundscape are varied enough to make this a perfect pop record anyway, covering a lot of styles but tying them together in one entity.
Thirtyfive years later, the man is still active - in fact, he played in two of my hometowns just a month ago, but I was of course abroad just then - but nothing he has done since this album measures up to what he came up with here and as a member of Rockpile. To add insult to injury, my own copy, bought straight upon its release, is the only actual copy of this album I have ever seen. I know that it's been re-released on CD, and you can find it on Spotify - and I would love to see more people boast and brag about having it. So if you find a copy somewhere, buy it at once!
Raving and rants about good popular music, based on forty years of hoarding and listening to good records - and counting...
Showing posts with label Billy Bremner. Show all posts
Showing posts with label Billy Bremner. Show all posts
Monday, 8 April 2019
Sunday, 24 March 2019
9. Rockpile: Seconds Of Pleasure (1980): Fine Fine Fine
My first encounter with the fine gentlemen in the group Rockpile must have been seeing them in the Concerts for Kampuchea show, then buying the soundtrack and realizing that the Beatles weren't the only band around relying on more than one brilliant singer/player/somgwriter - and all of this resulted in "Seconds Of Pleasure" becoming one of the first records I even bought quite soon after its release. I remember being a bit underwhelmed at first listen, but also that repeated play made me recognize and appreciate the fineries that filled this splendid helping of rock music.
What's so good about it, then? Well, the playing is plain delicious - the wacka-wacka of the guitars, the relentless drive of Terry Williams' drums, the sometimes slighly quirky yet always swinging arrangements. The singing is also a treat - Dave Edmunds is a good rock singer, yet only my third choice in this line-up behind the more melancholy and versatile pipes of Nick Lowe and above all the spine-tinglingly soaring voice of Billy Bremner at his best.
And the songs are simply great - from basic fast numbers like "Teacher Teacher" and "Fool Too Long" and the spectacular "Heart" and "(You Ain't Nothing But) Fine Fine Fine", ornamented by Billy's vocals, to the clever wordplay of "When I Write The Book" and the heartfelt "Now And Always". There are no two songs alike, yet the album is a distinctive entity as a whole. As a bonus, the twelve tunes clock in at classic album length, somewhere aroung the 36 minute mark. No chance to ge bored - rather, short and sharp enough to be spun another round on the fly.
Rockpile never got round to releasing another album as an official band - but I soon learned there was plenty of music to be found involving the same gentlemen, and at least two more albums that in practice were Rockpile even though they were released as solo efforts. I will get back to those at another time - for now, I'll pick this album off the shelf and play it another time.
And BTW, this is one of the hidden gems you can't find on Spotify. Buy it instead!
What's so good about it, then? Well, the playing is plain delicious - the wacka-wacka of the guitars, the relentless drive of Terry Williams' drums, the sometimes slighly quirky yet always swinging arrangements. The singing is also a treat - Dave Edmunds is a good rock singer, yet only my third choice in this line-up behind the more melancholy and versatile pipes of Nick Lowe and above all the spine-tinglingly soaring voice of Billy Bremner at his best.
And the songs are simply great - from basic fast numbers like "Teacher Teacher" and "Fool Too Long" and the spectacular "Heart" and "(You Ain't Nothing But) Fine Fine Fine", ornamented by Billy's vocals, to the clever wordplay of "When I Write The Book" and the heartfelt "Now And Always". There are no two songs alike, yet the album is a distinctive entity as a whole. As a bonus, the twelve tunes clock in at classic album length, somewhere aroung the 36 minute mark. No chance to ge bored - rather, short and sharp enough to be spun another round on the fly.
Rockpile never got round to releasing another album as an official band - but I soon learned there was plenty of music to be found involving the same gentlemen, and at least two more albums that in practice were Rockpile even though they were released as solo efforts. I will get back to those at another time - for now, I'll pick this album off the shelf and play it another time.
And BTW, this is one of the hidden gems you can't find on Spotify. Buy it instead!
Subscribe to:
Posts (Atom)
15. Deep Purple: Bananas (2003): Because We Can
By 2003 Deep Purple may not have been the hottest ticket in heavy rock, and this gem of an album seems to have passed by largely unnoticed...
-
Ten years ago I started raving about my favourite albums in a brand new blog, Maailman paras levy . To this day, I have written about 385 al...
-
John Hiatt is one of the rather small group of musicians, whose new albums usually are major events in my musical calendar. He's been ma...
-
By 2003 Deep Purple may not have been the hottest ticket in heavy rock, and this gem of an album seems to have passed by largely unnoticed...

